I am a Melbourne-based photomedia artist working at the intersection of pop, abstraction,

constructivism and graphics. My practice is divided between studio-based work and the environment.

In the studio I often use overlooked, found, or collected materials that I bring together and use out of their original context to create compelling abstract forms. It’s a process that for me, I find cathartic and allows me to compose these elements in a way that is transformative. I know when it works when I’ve succeeded in avoiding the representational.

 

Outside of the studio I explore the fleeting, often overlooked moments that exist at the edges of our natural perception—fragments of memory and experience that emerge and disappear in an instant. Rooted in the day-to-day rhythms of the inner urban environment, these impressions—a shift in colour, a flicker of movement, an ambiguous form—are registered and forgotten in the same breath.

 

Ultimately, my work in photo-media abstraction invites viewers to engage with how we see, rather than what we see—offering a unique perceptual experience that subverts expectation and redefines the act of observation.